By Rae Carson

Hector of Ventierra is the youngest commander of the Royal shield in his kingdom's background. yet prior to he was once lord commander, he was once a lowly squire. during this brief myth novella, set on this planet of The woman of fireplace and Thorns, Rae Carson introduces readers to Hector earlier than he turned the guy Queen Elisa fell in love with. The King's Guard additionally incorporates a teaser bankruptcy for The sour Kingdom, the belief to the fireplace and Thorns trilogy.

At fifteen years outdated, Hector is the youngest squire within the so much elite army strength within the state. And his first day is disastrous. every person assumes the single cause he was once recruited is his shut own organization with King Alejandro, no longer simply because he's fairly earned it.

But Alejandro wishes Hector for a mystery venture, one who offers him the opportunity to end up to everyone--including himself--that he's useful to be a Royal defend. Hector needs to holiday into the traditional fort of Wind to retrieve whatever so vital that the kingdom's destiny will depend on it. What Hector reveals within the fort will stretch his bond of friendship together with his king just about breaking. and it'll organize him to turn into the fearsome warrior and lord commander Elisa won't ever allow go.

A riveting prequel to Rae Carson's epic and acclaimed fireplace and Thorns sequence.

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Extra info for The King's Guard (Fire and Thorns, Book 0.7)

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90 The body politic was supposed to be contained within the natural body of the Queen. When lawyers spoke of this body politic they referred to a specific quality: the essence of corporate perpetuity. 91 The theatrical union of Mary and Respublica, then, represents the monarchy at its most complete; the unification of the political and personal, as the body natural of the reigning queen contains the actor representing the body politic within her arms. The highly affective tenor of much of the polemic of the early years of Mary’s reign was crucial to its initial successes, as Mary’s Guildhall speech, quoted above, indicates.

5 Julian’s concern to fix maternal meaning upon the figure of Jesus reminds us that ‘mother’ asserts a human figure as much as a metaphysical idea. The word always foregrounds its material meaning – the individual person, the mother figure; so that ‘mother’ is always signifier as much as signified. This quality had informed an allegorical tradition which allowed the concept of motherhood both to focus and to represent a complicated and shifting set of meanings. 6 Astell shows, importantly, how this is the consequence of ‘the fusion of two histories’: that of the evangelical biography of Mary, and the literal meaning in the Song of Songs, leading to the construction of a figure where the literal bleeds into the allegorical, enhancing her affective power.

Qxd 3/11/09 14:57 Page 33 The transformation of tradition 1111 2111 3 4 5111 6 7 8 9 10111 11 1211 31 4 5 6 7 8 9 20111 1 2 3 4 5 6 7 8 9 30111 1 2 3 4 5 6 7 8 9 40 1 42111 33 audience that must be engaged emotionally if the serious matter of the drama is to be appropriately received. Vanhoutte shows how Bale echoes Morison’s polemic strategy, quoting Morison’s tract A Lamentation in Which is Showed what Ruin and Destruction Cometh of Seditious Rebellion, in which a personified England bemoans the rupture that treason has wrought: ‘I am one, why do you make me twain?

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