By Schmidt H.A., Schutte K., Thiele H.-J. (eds.)
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Extra resources for Contributions to Mathematical Logic (Logic Colloquium '66)
Only one for the reason that in actual fact there is one principle unifying all of them into one plot—Indra himself. 30 This question alone leaves a lot to be answered, for if Indra is more than a formal pretext whereby all these episodes form one sequence of actions and configuration of events, then we have to look at him as that which is itself a myth or something mythological. If not, then we should be conjecturing about something else in these episodes that would connect all of them together, irrespective of to whom or what they are ascribed as their subject or ‘agent’.
Time of consciousness read by another consciousness, in a manner of speaking. That is where this aspect reveals another quality of text, namely, its capacity to generate other texts, and not by fragmentation, segmentation, combination, or identification of texts as separate wholes, but by using various elements of one text as bricks to build another, or by using the elements of one WHAT IS MYTH? 33 text and the configurative or constructive principle of another text to build the third text, etc.
Looked at from this angle, situation can be seen as a mental or conscious way of presenting a plot 38 MYTHOLOGICAL DELIBERATIONS within a plot, or a plot within a unit of a plot, and not a formal notion and term of description. Though it is in my power too, as an investigator of texts, to divide plots into situations or to reconstruct them from situations, situation would be seen as relatively more subjective than plot even from the point of view of an external observer, because, among other things, the protagonist knows the situation, when and if he describes it, and it is his knowledge, whether right or wrong from the point of view of the whole plot.