By Chakrapani (Ed)
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Extra info for Chandamama (1955) October
The Zambah often create ebony body masks, which may be either male or female in form, to accompany their face masks. During dances, the Zambah vibrate their bodies while moving to the beat of the omnipresent drums. Male dancers usually wear grass skirts that include bells or clacking bones that make noise while the body vibrates in a frenzied manner. While the masked men dance furiously in the centre, lines of nude unmarried women surround them, moving only their heads, shoulders and arms in a slow, almost erotic dance.
Male dancers usually wear grass skirts that include bells or clacking bones that make noise while the body vibrates in a frenzied manner. While the masked men dance furiously in the centre, lines of nude unmarried women surround them, moving only their heads, shoulders and arms in a slow, almost erotic dance. Both male and female dancers have their bodies oiled for the dances to highlight their muscle-tone and body scarring. Atlaian Clothing, Hairstyles and Ornamentation Like most southern Black Kingdom tribesmen, many Atlaians often go naked, although some of the tribes, such as the Adja, the Thulaban and the Yaraba, wear wraps or loincloths.
The Yaraba warrior groups always choose one of their number to lead each age group of warrior. This leader is given the title of warlord. Like the Thulaban, the Yaraba also dress in wraps, preferring the colour red to the exclusion of other colours, although blue is fairly popular as well. In addition, all Yaraba wear large hoop earrings. The wealthier a Yaraba becomes, the more red can be found in his clothing and jewellery. Almost all Yaraba males have one front tooth removed to help them produce a piercing whistle which helps them control their cattle.