By Elizabeth Eger
The dialog events of the bluestockings, held to discuss modern rules in eighteenth-century Britain, have been very important in encouraging girl inventive fulfillment and selling hyperlinks among studying and advantage within the public mind's eye, inventing a brand new type of casual sociability that mixed the lifetime of the senses with that of the brain. This choice of essays, via top students within the fields of literature, background and paintings background, presents an interdisciplinary therapy of bluestocking tradition in eighteenth-century Britain. it's the first educational quantity to pay attention to the wealthy visible and fabric tradition that surrounded and supported the bluestocking undertaking, from formal pictures and sculptures to commercially reproduced prints. through the early 20th century, the time period 'bluestocking' got here to suggest a lifeless and dowdy highbrow girl, however the unique bluestockings inhabited a global during which brilliance used to be worth each point and ladies have been inspired to polish or even dazzle.
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Extra info for Bluestockings Displayed: Portraiture, Performance and Patronage, 1730-1830
The bluestocking writers of the eighteenth century, for so many years of interest to only a small cohort of scholars, their survival in the historical memory chiefly dependent on old texts and a few new academic monographs, again had a presence in public space. The exhibition was a popular and critical success, and also an opportunity for renewed speculation. Increased awareness of the extent and diversity of the pictorial archive has provided an added impetus among researchers to explore the complexities and difficulties in the situation of these women, and do justice to their own nuanced reflections on publicity.
11), to great effect, in her portrait by William West painted in 1828 and engraved the following year by Edward Scriven, George IV’s historical engraver. 9. Samuel Cousins (1837), after Thomas Lawrence (1821), The Countess of Blessington. Mezzotint, 305 mm Â 229 mm. authors’ works, insisting to their audience that there was nothing improper in what they were about to read. It was this calculated effort to combine the iconography of motherhood with morality that finally prevailed in the 1830s. As Victoria ascended the throne in 1837 and the ethic of moral integrity, responsible fiscal governance and rational self-improvement promoted most notably by Hannah More triumphed in the cultural mores of what we might now call ‘Victorian family values’, bluestockings entered the public sphere in ever-growing numbers, as educators and philanthropists, as businesswomen, nurses and writers.
Samuel Taylor Coleridge, Collected Letters, ed. , 1956–1971), vol. I, p. 578. George Dyer, Poems (London, 1802; repr. New York: Garland Publishers, 1978). Jacqueline Pearson, Women’s Reading in Britain 1750–1835 – A Dangerous Recreation (Cambridge University Press, 1999). Edward H. Jacobs, Accidental Migrations: An Archaeology of Gothic Discourse (Lewisburg: Bucknell University Press, 2000), ch. 5, Appendix. Samuel Taylor Coleridge, Collected Letters, ed. Earl Leslie Griggs, 6 vols. (Oxford: Clarendon Press, 1956–71), vol.